About my work:
My thoughts and artistic process tend to push materials and logic to their extremes, to the point where the material or the logic reaches a surprising and absurd conclusion. Stacking, gravity, and the confines or edges of the rectangle have been recurring themes in my work for several years. I think of substrates (and paintings in general) not just as windows but also as literal supports and pedestals for the paint. In some pieces, I use substrates referencing minimalist sculptures only as supports to be decorated with shit-shaped oil paint. I squeeze paint through cake-decorating bags because the process and resulting extrusions are direct and imply urgent libidinal energy, excretion, decoration, commodity, production, the body, and excess. I present a painting language that is very honest to the technique and process, but yields bizarre results. In the new body of work, I introduce painting with brushes and explore the piece as both a support and a window at times "painting" a sculpture.
Boris Ostrerov earned a BFA in Painting from the Milwaukee Institute of Art and Design and an MFA in Painting and Drawing at the School of the Art Institute of Chicago in 2013. Upon graduation he was awarded the SAIC fellowship. Ostrerov’s current work is seductive, juicy, visceral, and grotesque. He has exhibited widely and has earned several opportunities including showing at Paris London Hong Kong (PLHK), Tory Folliard, the Portrait Society in Milwaukee and in Chicago’s NEXT fair. He has been featured in several publications including New American Paintings #119 and the Milwaukee Journal Sentinel. Ostrerov’s painting was included in the New American Paintings show at the Elmhurst Art Museum in 2016. Ostrerov currently lives and works in Chicago.
Copyright 2016 Boris Ostrerov